Internet Pay-Per-View Movie Site Unveiled – Does It Matter? (Nasdaq: HOLL) and CinemaNow announced Thursday that they are creating a new, co-branded pay-per-view movie site scheduled to open in June.

The deal gives the smaller CinemaNow a much needed venue for distributing mainstream full-length films. Whether it will help give the overall online movie distribution channel more life is another issue.

“These are interesting experiments and I don’t think there’s anything wrong with them, but I don’t think they’re the future of the industry by any stretch,” Forrester analyst Eric Scheirer told the E-Commerce Times.

Movies on the site will be streamed for a cost of US$2.99 each, and CinemaNow said, with two or more movies offered to viewers every two weeks. The films will be available at streaming speeds of between 56 kilobits per second (kbps) and 700 kbps.

Thumbs Up or Down?

CinemaNow, which is majority-owned by Lions Gate Entertainment (AMEX: LGF), streams more than 200 feature-length films, using the Windows Media Player as its viewing platform. The company also has the digital rights to distribute movies online from Trimark Pictures, Allied Artists, Tai Seng Home Video and Salvation Films.

Initial film offerings on the new site will include “Heaven’s Burning” starring Russell Crowe and “Steal This Movie” with Vincent D’Onofrio and Janeane Garofalo.

Scheirer said that the site’s long-term success will hinge on whether it shows movies that people actually want to watch.

“Without knowing how many movies they will have, and of what quality, you can’t really predict if it’s going to be a profitable venture or not,” Scheirer said. “If they only have movies that didn’t go far at the box office streamed in low bandwidth rates, that’s not much of a business.”

Staying Legal

CinemaNow also acquires and distributes original films specifically intended for initial Internet distribution on a pay-per-view basis, which is then followed by distribution via traditional media through the Lions Gate sales force.

The movie industry has historically been quick to squelch any attempts at online distribution of major Hollywood films without the proper licenses. Earlier this year, CinemaNow made a preemptive strike to lock in its territorial-based controls of movie licenses.

By partnering with a Web-tracking software company called Digital Envoy in February, CinemaNow gained a tool it says will help it make good on its distribution promises. According to Digital Envoy, its software enables CinemaNow to locate theprecise location of its users (with accuracy rates of 99 percent) — virtually eliminating any license violation issues.

Small Potatoes

Scheirer said that ultimately, all these technological machinations might be for naught.

“I don’t think it’s about technology,” said Scheirer. “It’s about customer experience. For the most part, customers don’t want to watch full-length movies on PCs, they want to watch them on their TVs.”

In fact, the true future of digital movies lies with digital TV and cable, Scheirer said.

“There’s a little opportunity for independent distribution through the Web, but it’s never going to be the case that a significant portion of Hollywood revenues flow through the Internet,” Scheirer said.


  • I have a PC plugged into my TV. Although I AM on the extreme with a wireless keyboard and a 65" HD TV, any pc with a $50.00 video card would allow people to watch these movies on their TV. The quality is equal to the progressive scan DVD’s I watch.

    • I found this post doing a search for "PPV filmmaker"

      I’ve been working on building a PPV network for over a year now,and working with other networks for almost 2 years. I’ve been following leaders in the industry like Jeremy Allaire, Chairman & CEO and Adam Berrey, SVP Marketing & Strategy, Brightcove.

      They are paving the way along side Move-Neworks

      Dave Stewert from Eurythmics tried to offer this too the world back in 95 with the slyfi channel,

      so nothing is new it’s just a matter of timing

  • Eric Sheirer’s comments on Internet Pay Per View are correct if filmmakers don’t adopt to an internet audience. If we do then I believe there is a future for film on the web. As a filmmaker with a pay per view film on the web I have an interesting model. Viewers get to see 90% of the film for free only paying to see the end. What’s more, the film is part of a series, and part of the viewer’s payment goes towards the second film in the series and so on. The film is 20mins which doesn’t require someone to sit in front of a desktop too long and is dramatically and narratively structured to suit the pay for ending format. It went live 3 days ago, is self financed/directed and produced and if successful will I believe herald the rise of the small low budget independent producer/director teams carving out a niche for themselves, generating low but sustainable revenue streams and positioning themselves in readiness for the inevitable global broadband network that the Internet will soon become. Scheirer is right. It’s not about technology, it’s about the films. Always was. Always will be.

    Ronan Gallagher

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