All five of the major labels recently
announced plans to sell digital downloads, either
directly through their sites or through distribution partners.
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More than a year after the first salvo was fired between the
recording industry and digital downloading freeloaders, the
music industry is still trying to develop a subscription-based
service that rivals Napster in popularity.
"Napster is alone in being a recognized [digital download]
service," Webnoize
analyst Matt Bailey told the E-Commerce Times.
That singleton status will not last much longer if the media
giants have a say, however.
Earlier this week, three of the major labels -- AOL Time Warner,
Bertelsmann AG, and EMI Group -- announced that they were partnering
with Internet music and video streaming company RealNetworks
to form an independent Internet music distribution service
called MusicNet.com.
Microsoft (Nasdaq: MSFT) has also entered the online music
fray. On Wednesday, the
software giant launched a beta version of its free streaming
radio service on the MSN network . The new service allows users
to pick the types of songs they like to listen to and inserts
ads after every fourth song. Microsoft, however, is avoiding the
copyright issue by not allowing users to download songs.
Also on Wednesday, MTVi Group and RioPort.com announced that they
have signed licensing agreements with all five major labels and
were partnering to allow consumers to purchase digital
downloads of their favorite songs.
With so many players and game plans afloat in the online music business,
the question becomes, which offering has the best chance of succeeding
Napster as the King of Digital Downloads.
Collaboration Is King
According to Bailey, the model that has the best
chance of succeeding -- and making money --
as a subscription-based download service
is one that combines "a lot of technical expertise, with
a lot of consumer reach."
To reach that goal, collaboration
will be required, Bailey said.
The analyst said that no single company will be able to
go it alone in the competitive
world of digital music downloads. Bailey believes that the
future will see collaborative efforts between established music
retailers, such as Best Buy, with technically savvy companies
such as MP3.com and eMusic, for example.
Hit Parade?
One model that is almost sure to fail would involve the
recording labels selling directly to consumers, according to
Bailey.
"The record labels don't have much experience dealing directly
with consumers," Bailey said.
He likened direct sales by
the major labels to a business-to-business (B2B) firm deciding to
sell direct to end users instead of other companies.
"The labels may dabble in [direct distribution],
but I don't think they will be successful," Bailey said.
Licensing Success
A better way for the labels to cash in on the digital
downloading phenomenon is for them to license their content to
distribution partners, Bailey said.
Indeed, Napster tried to force that very
issue this week when the music swapping service asked Congress to
make it mandatory for the major labels to license their catalogs to online
content providers. Napster interim chief executive officer
Hank Barry said compulsory licenses, such as those used in the radio
broadcast industry, would establish a system of fair
compensation for the recording industry and its artists -- and
ensure that consumers could find what they wanted online.
Bailey believes that Napster's request was an attempt to compel the
recording industry to offer its own licensing proposal.
He said that compulsory online
licensing would be the "worst possible solution"
for the recording industry, because they could be forced to give
content away cheaply.
Staying Alive
Despite -- or perhaps because of -- the publicity it has received
in a very public battle with the Recording Industry
Association of America (RIAA), Napster is still the most popular online music
service.
"Napster has huge brand recognition with consumers," Bailey
said.
The latest research from Cambridge, Massachusetts-based
Webnoize shows that after falling off in February, Napster
usage has rebounded as downloaders find ways to work around the
court-imposed filtering system.
Webnoize found that the number of downloads using the Napster
system rose to a total of 593 million songs during the last
week of March, 25 percent more than the 473 million files downloaded
during the previous week.
"Napster's filtering effort is cutting the total number of
files being shared," said Bailey. "But whether it stops users
from getting access to the songs or artists they want is far
more questionable."
Open Road
No matter who ends up on top of the digital download
industry, it is an industry that is here to stay and
continuing to boom. Within three years, the digital download industry could
realize revenues of US$2.8 million annually, Webnoize said.
According to Bailey, that market is expected to
keep on growing for years to come.